So long everyone. Thanks for five great years of Metro Classics!
Saturday, December 3, 2011
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Nora Sayre reviewed Celine & Julie Go Boating in the New York Times back in October of 1974, and noted in particular the film's... -
Hot off our resounding success with our summer series, we convinced our benevolent overlords to allow us to continue, this time in a more au... -
As all faithful Metro Classics readers know, our new series, One-Two-Three, begins on Wednesday. The One in that line-up, the first three ... -
New York Times critic Bosley Crowther was utterly perplexed by Gilda on its premiere in March of 1946 , not an unusual state for him. &q... -
A brief break from my cold-inspired marathon of Ken Burns's Jazz documentary on the instant netflix to throw down a gauntlet in respon... -
We have just received word on the first round of bookings for the upcoming spring series. Please join in the communal giddiness. The Quiet M... -
Earlier this week Sean posted a reasoned, well thought-out, but ultimately misguided essay on Charlie Chaplin's superiority. I am now ... -
Fiddle-dee-dee! I touched on this topic a bit way back in August in relation to the work of Bette Davis and the ways an audience might resp... -
Top 5 Maggie Cheung Films: 1. Police Story (Jackie Chan, 1985) 2. Days of Being Wild (Wong Kar-wai, 1990) 3. Irma Vep (Olivier Assayas,... -
This week's film from Michael Powell and Emeric Pressburger (the third of their many classics we've played, after The Red Shoes an...