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Fiddle-dee-dee! I touched on this topic a bit way back in August in relation to the work of Bette Davis and the ways an audience might resp... -
Hot off our resounding success with our summer series, we convinced our benevolent overlords to allow us to continue, this time in a more au... -
“It seems strange to me that video stores don’t have a section for Gatherings at Country Houses, because to me this is one of the best film ... -
Yay us!!! In honor of this most historic occasion, here are 100 things Sean and Mike could have been doing instead of publishing verbose and... -
In honor of this week's showing of Alfred Hitchcock's Vertigo , I decided to watch a bunch of the master's films that I hadn... -
Pundits periodically pontificate on the perennial prospect of film criticism perishing. These high-falutin' fools certainly have not ... -
A brief break from my cold-inspired marathon of Ken Burns's Jazz documentary on the instant netflix to throw down a gauntlet in respon... -
This week we're playing Orson Welles's Touch of Evil , his last studio film. Welles, of course had a legendarily messy filmmaking ... -
Although our new series revels in writhing in the rings representing Dante's Inferno, none of the nine classics we will soon ever so pr... -
We've never played, as part of Metro Classics, a film by Danish director Carl Theodor Dreyer, though we came close to running Day of W...
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