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A brief break from my cold-inspired marathon of Ken Burns's Jazz documentary on the instant netflix to throw down a gauntlet in respon... -
Tasha Robinson over at the A.V. Club compares Who Framed Roger Rabbit with its source material in a lengthy and enlightening feature call... -
Earlier this week Sean posted a reasoned, well thought-out, but ultimately misguided essay on Charlie Chaplin's superiority. I am now ... -
I wish I were Alex Ross. That way I could write about classical music with some semblance of knowledge and authority. Unfortunately I am a... -
As all faithful Metro Classics readers know, our new series, One-Two-Three, begins on Wednesday. The One in that line-up, the first three ... -
Wednesday, September 16th at 6:45 & 9:20. Giveaways: The Passenger DVD and a gift certificate for Rain City Video, respectively. See yo...
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Fiddle-dee-dee! I touched on this topic a bit way back in August in relation to the work of Bette Davis and the ways an audience might resp... -
Earlier this week I noticed that our good pal Ryland Walker Knight had queued up Charade , the Ricky Henderson* of our imminent Liars, Thie... -
Next week's showing of Wong Kar-wai's In the Mood for Love will be on 35mm film and not digitally projected, as initially advertis...
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