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Fiddle-dee-dee! I touched on this topic a bit way back in August in relation to the work of Bette Davis and the ways an audience might resp... -
Hot off our resounding success with our summer series, we convinced our benevolent overlords to allow us to continue, this time in a more au... -
Earlier this week Sean posted a reasoned, well thought-out, but ultimately misguided essay on Charlie Chaplin's superiority. I am now ... -
A brief break from my cold-inspired marathon of Ken Burns's Jazz documentary on the instant netflix to throw down a gauntlet in respon... -
“It seems strange to me that video stores don’t have a section for Gatherings at Country Houses, because to me this is one of the best film ... -
This week we're playing Orson Welles's Touch of Evil , his last studio film. Welles, of course had a legendarily messy filmmaking ... -
It's a little surprising to see that the New York Times , in the form of Howard Thompson raved about Touch of Evil back on its premiere... -
In honor of this week's showing of Alfred Hitchcock's Vertigo , I decided to watch a bunch of the master's films that I hadn... -
We've never played, as part of Metro Classics, a film by Danish director Carl Theodor Dreyer, though we came close to running Day of W... -
Pundits periodically pontificate on the perennial prospect of film criticism perishing. These high-falutin' fools certainly have not ...
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