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After finishing his series of Six Moral Tales (of which this week's classic, My Night at Maud's is the third) with 1972's Love... -
A brief break from my cold-inspired marathon of Ken Burns's Jazz documentary on the instant netflix to throw down a gauntlet in respon... -
So, I've been watching a lot of Bette Davis movies lately. Until a few months ago, All About Eve was the only one of her classic films... -
Nora Sayre reviewed Celine & Julie Go Boating in the New York Times back in October of 1974, and noted in particular the film's... -
Fiddle-dee-dee! I touched on this topic a bit way back in August in relation to the work of Bette Davis and the ways an audience might resp... -
Over the course of this past Metro Classics series, I watched a bunch of movies tangentially related to the films we were playing, with the... -
One of the most prominent legends of the Walt Disney Studios is that of the Nine Old Men, Walt's personal nickname for his core animato... -
Earlier this week Sean posted a reasoned, well thought-out, but ultimately misguided essay on Charlie Chaplin's superiority. I am now ... -
First we have Roger Ebert's Great Movies review of Potemkin , in which he argues for the film's ability to remain fresh despite its... -
Otis Ferguson, one of America's first great film critics, was not a fan of Mr. Smith Goes to Washington on its release back in 1939, a...
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