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A brief break from my cold-inspired marathon of Ken Burns's Jazz documentary on the instant netflix to throw down a gauntlet in respon... -
After finishing his series of Six Moral Tales (of which this week's classic, My Night at Maud's is the third) with 1972's Love... -
Nora Sayre reviewed Celine & Julie Go Boating in the New York Times back in October of 1974, and noted in particular the film's... -
So, I've been watching a lot of Bette Davis movies lately. Until a few months ago, All About Eve was the only one of her classic films... -
This week we're playing Orson Welles's Touch of Evil , his last studio film. Welles, of course had a legendarily messy filmmaking ... -
Fiddle-dee-dee! I touched on this topic a bit way back in August in relation to the work of Bette Davis and the ways an audience might resp... -
Vincent Canby reviewed Jeanne Dielman in the New York Times back in 1983 (8 years after the film was made), noting the film's roots...
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Not the Metro. No doubt there are legions of fanatics that follow the minutest goings-on at Metro Classics who unfortunately live in locales... -
Two years ago former Onion editor Robert Siegel made quite a splash with his script for the Wrestler , the story of an aging sports star com... -
One of the most prominent legends of the Walt Disney Studios is that of the Nine Old Men, Walt's personal nickname for his core animato...
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