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Nora Sayre reviewed Celine & Julie Go Boating in the New York Times back in October of 1974, and noted in particular the film's... -
Fiddle-dee-dee! I touched on this topic a bit way back in August in relation to the work of Bette Davis and the ways an audience might resp... -
After finishing his series of Six Moral Tales (of which this week's classic, My Night at Maud's is the third) with 1972's Love... -
OK, it's not a movie like the stuff Mike's been watching, but it's at least as good and probably better. Besides, if Chris Conn... -
This week, in honor of Nina Paley's astounding one-woman tour-de-force Sita Sings the Blues , I would like to officially unveil the plo... -
During this economic recession one must constantly be on the lookout for cheaper forms of entertainment. The days of frivolous jet-setting ... -
New York Times critic Bosley Crowther was utterly perplexed by Gilda on its premiere in March of 1946 , not an unusual state for him. ... -
This week we're playing Orson Welles's Touch of Evil , his last studio film. Welles, of course had a legendarily messy filmmaking ... -
Pre-Classical: Almost as long as there's been narrative cinema, there have been Westerns. The first is generally agreed to be Edwin S. ... -
I wrote this for another website a couple years ago, but it took a lot of work so I'm going to post it here as well. Apologies if you...
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