Subscribe to:
Post Comments (Atom)
Popular Posts
-
Hot off our resounding success with our summer series, we convinced our benevolent overlords to allow us to continue, this time in a more au... -
As all faithful Metro Classics readers know, our new series, One-Two-Three, begins on Wednesday. The One in that line-up, the first three ... -
New York Times critic Bosley Crowther was utterly perplexed by Gilda on its premiere in March of 1946 , not an unusual state for him. &q... -
A brief break from my cold-inspired marathon of Ken Burns's Jazz documentary on the instant netflix to throw down a gauntlet in respon... -
OK, it's not a movie like the stuff Mike's been watching, but it's at least as good and probably better. Besides, if Chris Conn... -
Although our new series revels in writhing in the rings representing Dante's Inferno, none of the nine classics we will soon ever so pr... -
Not the Metro. No doubt there are legions of fanatics that follow the minutest goings-on at Metro Classics who unfortunately live in locales... -
Earlier this week Sean posted a reasoned, well thought-out, but ultimately misguided essay on Charlie Chaplin's superiority. I am now ... -
I've worked alongside my cohort in this lucrative enterprise, Mr. Sean Gilman, for nigh five years now and at times I feel like I know t... -
Nora Sayre reviewed Celine & Julie Go Boating in the New York Times back in October of 1974, and noted in particular the film's...
No comments:
Post a Comment