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Earlier this week Sean posted a reasoned, well thought-out, but ultimately misguided essay on Charlie Chaplin's superiority. I am now ... -
For the first two decades of my existence I harbored a wholly irrational hatred of John Wayne. Irrational insofar as in I had never actuall... -
OK, it's not a movie like the stuff Mike's been watching, but it's at least as good and probably better. Besides, if Chris Conn... -
Nora Sayre reviewed Celine & Julie Go Boating in the New York Times back in October of 1974, and noted in particular the film's... -
Fiddle-dee-dee! I touched on this topic a bit way back in August in relation to the work of Bette Davis and the ways an audience might resp... -
This week we're playing Orson Welles's Touch of Evil , his last studio film. Welles, of course had a legendarily messy filmmaking ... -
After finishing his series of Six Moral Tales (of which this week's classic, My Night at Maud's is the third) with 1972's Love... -
This week, in honor of Nina Paley's astounding one-woman tour-de-force Sita Sings the Blues , I would like to officially unveil the plo... -
In anticipation of our next 18 weeks of films, we present a daily countdown of great songs with a single name in the title. Today's sel...
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Jack White is a man of prodigious talent. He is a uniquely gifted songwriter , an amazingly skilled guitarist and, as was recently discove...
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