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A brief break from my cold-inspired marathon of Ken Burns's Jazz documentary on the instant netflix to throw down a gauntlet in respon... -
My most distinct memory of Walt Disney's Robin Hood does not actually involve the film. On my first trip to Disneyland when I was five ... -
Fiddle-dee-dee! I touched on this topic a bit way back in August in relation to the work of Bette Davis and the ways an audience might resp... -
Earlier this week Sean posted a reasoned, well thought-out, but ultimately misguided essay on Charlie Chaplin's superiority. I am now ... -
For the first two decades of my existence I harbored a wholly irrational hatred of John Wayne. Irrational insofar as in I had never actuall... -
This week, in honor of Nina Paley's astounding one-woman tour-de-force Sita Sings the Blues , I would like to officially unveil the plo... -
Earlier this week I noticed that our good pal Ryland Walker Knight had queued up Charade , the Ricky Henderson* of our imminent Liars, Thie... -
The first sound film was a musical film. It wasn't very good. In 1929, the first sound film to win the Best Picture Oscar was a musical,...
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After finishing his series of Six Moral Tales (of which this week's classic, My Night at Maud's is the third) with 1972's Love...
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